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Ali Azmat, a renowned Pakistani singer, is coming to town Aug. 24 to rock Surrey on the occasion of Pakistan’s Independence Day.
This multidimensional artist who has been called the ‘Bono’ of Asia and has been labelled by the New York Times as Asia’s answer to Santana, is the only Pakistani musician who has performed live at the United Nations assembly promoting the music scene of Pakistan.
He has sold over 20 million albums worldwide, and was nominated for an Emmy award in 2002, putting Pakistan on the musical map.
Azmat’s first solo album, Social Circus, has exceeded the expectations of fans and silenced critics who were sceptical of his lone venture.
Azmat will perform as part of Jashan-e-Azadi 2008, an initiative of the Pakistani Youth Advisory Committee. The committee is comprised of a group of young Pakistani-Canadians who get involved in the Pakistani community.
The committee’s mandate is to preserve and promote Pakistan and its culture in British Columbia. The committee’s first initiative was organizing the Pakistani tent exhibiting Pakistani Culture and tradition at the 4th annual Canadian Islamic Cultural Expo.
Jashan-e-Azadi 2008 will also feature NAKSH, a local South Asian band, and a Cultural Show depicting the cultures and traditions of Pakistan.
The event will be held at the Bell Center for Performing Arts in Surrey starting at 6:30 p.m.
Tickets are $20, $25, $30 and $50 for VIP. For more information or to obtain tickets, contact Hamza Malik at 604.723.4090 or Waseem Javed at 604.779.7513.
The crowds kept pouring in and the ladies couldn’t help but scream out from time to time. It was a scenario any rockstar would have loved to be in — the love, adulation, screaming fans, the works. It was Saturday night when Pakistan Band Jal performed at Galaxy, The Park, as part of the 14th anniversary celebration of Someplace Else. When the band took the stage, they were greeted with loud cheers and applause from the audience. They belted out one hit after the other and had the crowd sing along with them and provide perfect backing vocals. Whoever said that singers from across the Border are besura? Farhan and Goher proved everyone wrong. Everything was perfect in their Sufi-music-influenced vocals — sur and taal. Their rock version of Mast kalandar was sung in true Sufiana andaaz while maintaining the contemporary touch to it. When the band got off stage, the crowd were on a high screaming for more. Link: Times Of India |
Experience the fourth episode of Coke Studio with All Artists.
Artists: All Artists
Drums: Gumby
Lead Guitar: Omran Shafique
Bass Guitar: Mannu
DJ, Keyboard: Zeeshan Parwez
Backing Vocals: Saba and Selina
Percussionist: Shezi
Dholak: Babar Khanna
Balochi Percussions: The Abdul Latif Band
Producer: Rohail Hyatt
Percussion Jam
Electrifying performances by rock band ‘Noori’ and ‘Jal’ overpowered the ecstatic crowd and created a musical euphoria at the rock concert ‘Rockball 08’ organised by JB & Jaws with Wateen on Saturday night at PNCA Auditorium.
Just like a wake up call or a war siren, the rock stars took the audience by storm and rocked the night away. The jam-packed audience went in to a frenzied state as both popular bands took them by a musical storm and played on their hot and hit numbers one after another enthused with vibrant and energetic performances.
After a couple of numbers by local vocalists to warm up the night, Noori’s Ali Noor and Ali Hamza took the stage buzzing with energy and received astounding reception from the audience. With a superb balance of traditional Punjabi lyrics with rock and some highly Western numbers, the intensity of their movements and expression of complete involvement with the music was indeed electrifying. Noori opened their session with the most nostalgic and thought-provoking number, which is a big hit ‘Merey Log’ and then continued with their other hot hits from ‘Manwa re’ to ‘dil ki Qasam’ and ‘Suno ke mai hoon jawan’. Noori’s performance can be termed as one of the most energetic and entertaining live acts to have hit the Pakistani music scene. ‘Noori’ is one of the pioneering rock bands of Pakistan known for its hard-hitting impact in a multitude of interactive experiences. With highly energetic music and lyrics that every youngster can relate with, Noori has become a phenomenon, which has really picked up in the Pakistani music. With 2 albums out so far, ‘Suno Ke Mein Hun Jawan’ in 2003 and ‘Peeli Patti Aur Raja Jaani Ki Gol Dunya’ in 2005, along with 10 videos aired, more than half of which have been made by the band itself, Noori is definitely a creative name, which is respected in the Pakistani music industry and loved by thousands worldwide.
Jal came next, playing along the lines of Latin-Acoustic Guitars with main emphasis on melodies and the lyrical contents. Jal has become ever popular in their efforts fuelled by the desire to freshen up the pop/rock genre in Pakistan that also gave their music a very high degree of accessibility both in terms of composition and lyrics. Gohar Mumtaz and Farhan Saeed rocked the night away with their hot hits along with their teammates Shazi, Salim, Saad, Hasnain and Mac with his management support. From ‘Dil Harey’ to ‘Teri Yad’, the band rocked away the audience.
Shehzad Roy's album Qismat Apne Haat Mein is even better
Shehzad Roy outdoes himself with his new effort and breaks new conceptual ground in Pakistani pop
By Muniba Kamal
The video grabbed the attention of the nation as soon as it hit the airwaves. And within a week of its release, 'Laga Reh' was playing and replaying at an ad nauseum rate, except we never got nauseated… it remains a song that speaks for all of us.
After countless viewings, I still find myself laughing at it. The bunglings of the government in the newspaper makes the giggles gurgle up twofold. At a time when things are being painted as badly as they are in the press, the cat and mouse game between the political parties and the ex-General with both playing Tom and Jerry alternately, our PM's visits abroad and the hysteria they generated here at home, American transgression on our soil, various Rehman Malik fiascos, lawyers on a rampage, the perpetual breaking news situations on all or news channels that are bordering on the ridiculous now because the crises have gone on so damn long that they seem to have become a bad joke.
In the 'Laga Reh' video, Shehzad Roy takes this bad joke and turns it into a great video, internalizing the experience so we all identify with it.
“Main jab dus saal ka tha tou mein ne nine o'clock news pe suna ke
“Mujhe fikar yeh nahin key eh mulk kaise chale ga, mujhe firk yeh hai ke aisay he na chalta rahe.” (I'm not worried about how this country will run, I am only worried that it will carry on running like this)
The song incorporates hilarious dialogue between Shezad and a buzurg (elderly gentleman):
Shehzad: “Mulk mein kitni tension ho gayi hai” (Look at the tension in the country)
Buzurg: “Kuch nahin kuch nahin, sab Allah par chhor do” (It's nothing, just leave it to God)
Shehzad: “Kuch na kar kuch na kar too sab kuch allah par chhod do… Allah hi tera hafiz hai” (Don't do anything at all, leave it all to God and then only God will be your saviour)
It's edgy stuff and incredibly relevant. This is the way previous generations have thought; indeed, the lines Shehzad Roy has penned are something said to us by some buzurg at some point in time or another. A whole new generation that has grown up with that attitude does want to go out there and change the status quo. It is this generation that
And the video ends with perhaps one of the most classic lines one has ever heard.
A punter to a politician: “Sir, lagta hai qaum ko jaganay ka waqt aa
Politician: Qaum ko mat jagao, yeh kisi zaroori kaam se so rahe hain! (Don't wake up the nation, they're sleeping because of some important work)
‘Laga Reh’ is indeed the funniest take on life in
‘Laga Reh’ is probably director Ahsan Rahim's finest video and it looks very much like a collaborative affort. Ahsan and Shehzad go back a long way. As do Ahsan, Faisal Qureshi and Mani having worked on Ulta Seedha together. With perhaps the most cinematic eye in the industry, Ahsan outdoes all his previous work with the video and the way the visuals sync with the song makes one think they were conceived together. The song and the video speak of major brainstorming and some very creative minds working together. That Shehzad Roy has built bridges between all these talents is commendable. It shows a man capable of recognizing talent in the industry and bringing them all together to create a video that truly exploded into our consciousness.
And the biggest surprise is that when you give the album a listen, you realize that 'Laga Reh' is not even the best song on it!
Qismat Apne Haat Mein
‘Laga Reh’ is the second best song, but it employs a clever technique that Shehzad uses to devastating affect in the title track of his album, which is characters speaking out and leading in to his music. The best song by far is 'Qismat Apne Haat Mein' itself.
It begins with the extremely affected accent of a
Shehzad Roy: Cough Cough…
Shehzad Roy: I'm allergic to bullshit.
And then the guitar riffs start and leads into a rollicking number laden with clever innuendos.
Zulm na kar too
Chand logon ne qaum ki lay lee hai (meaningful pause)
Qismat apnay haath mein.
(Do be cruel or we will leave these streets. A few people have taken the fortune of
Unfortunately the clever innuendo that makes one laugh out loud gets totally lost in the English translation.
‘Qismat Apne Haat Mein’ is a gem of a number, calling on the youth to wake up and smell the coffee and realize what is happening around them. That said, the album is not ground breaking musically, which is one criticism seasoned musicians have set forth. But one must say to them that the album breaks new ground in terms of the thought that has gone into it. It shows a singer chronicling what is happening in this day and age through song, oodles of angst and a biting wit. The music is simple, all catchy rhythm and very awami, which is the way Shehzad has always done it; however, songs like 'Laga Reh' and 'Qismat Apne Haat Mein' stand out for their audacity. And audacity is exactly what the Pakistani pop music has been missing for a very long time, ever since Junoon's 'Ehtesaab' was banned... and 'Ehtesaab' was nowhere close to the anthems Shehzad Roy has come out with.
Songs for the young
There is the excellent 'Khul Ke Pyaar Hum Nahin Kar Sakte' (We cannot love freely) which goes on: Khul Ke Jhoom Bhi Nahi Hum Sakte
Saara saara din in hi sochon mein gum
Kya ho plan raat ka jis mein ho jaein gum
(We cannot dance openly either
All day we are lost in the thought
Of cooking up an evening plan in which to get lost)
And then Shehzad Roy introduces the father by singing “Raat hotay hi eik paigham aata hai” (And when it's night a message arrives)
Father: Beta, barah baj gaye hain, ghar wapas aa jao (Son, it's 12 o'clock, come home NOW!)
This is the story of so many Pakistani teenaged lives and this is precisely the stuff pop anthems are made of. And these anthems would not have happened had Shehzad not decided to write them himself. The lyrical simplicity is what grabs you. Shehzad has taken his own dilemmas growing up, drawing room conversations, prevailing social attitudes and spun songs around them in a way no one has before, with the possible exception of Abrar, who does the same brilliantly in Punjabi. However, his songs are more social commentary. Shehzad Roy's album has both the social and political edge
There is also touch of idealism with the excellent 'Quaid e Azam', the most unlikely tribute to the father of the nation. It begins with a child doubting his future because he's been naughty and his grandmother has scolded him saying he will amount to nothing. And it is this child that Shehzad sings to.
Quaid e Azam jab chhote the, woh bhi nani se shrasrat karte hon ge
Lekin kehte honge: “Mein ek din kuch banoon ga, nanoon ji aap bhi yaad karein ge”
(When the Quaid was a little boy, he probably played pranks on his grandma too. But he must have said: “I will be something one day, someone so big Grandma that you will remember me.”)
It's a song that forces us to think back to childhood, and ponder on what Jinnah's would have been. And when you look at the song in context of the man that really was (if you read Stanley Wolpert's Jinnah) and compare it to what he has been twisted into by our own skewed perspective of history, Shehzad's imaginings on his childhood make one say “Good on you Shehzad!”
The other numbers
The other lovely number is 'Zindagi' that was released as a video last year with Abida Parveen. Abida's voice and the guitar make more a memorable song. And then there are the ballads out of which 'Aankhein' remains the most effective because of the edge. “Sapna mera aankhon se kuch aise gira, saath hi mujh ko bhi le gira”. That it follows the angsty 'Laga Reh' on the album makes the song even more poignant.
'Ek Baar', 'Janay Kahan' and 'Darwaza' are sweet enough melodically, but they aren't a patch on Atif's 'Pehli Nazar' which to date is remains the catchiest pop ballad of the year. Neither do they have the musical sophistication of Strings' 'Koi Aanay Wala Hai' and 'Humsafar'. Shehzad seems to have found his niche on this album, which is edgy pop and that is something that hasn't been done before. With Qismat Apnay Haat Mein, Shehzad Roy has moved on from being a pop poster boy to pop renegade and that is a gigantic leap.
The new Shehzad Roy
Minus the ineffective ballads, Qismat Apnay Haat Mein is nothing short of a pop revolution. We have seen the bubblegum disco beats Nazia and Zoheb, and the patriotism and introspection of the Vital Signs. There has been Hadiqa with her heavily Punjabi influenced pop that made her a star and one has seen the joyful tongue-in-cheek verve of Ali Zafar’s Huqa Paani and the meteoric rise of Atif Aslam who came out with the rather banal Meri Kahani this year. Shehzad himself was first the 'Teri Soorat' boy and then (a tad more impressively) the 'Saali' guy… but let's face it, while 'Saali' may have caused some strong reactions and was a catchy enough song, it was innocuous and silly. 'Laga Reh' has become a rebel yell for our times and if Shahzad's next video is 'Qismat Apnay Haath Mein', then he will solidify that reputation and go down a pop hero.
It's about time
And for those of us, growing up as teenagers in
At school they taught me how to be
So pure in thought and word and deed
They didn't quite succeed
For everything I long to do
No matter when or where or who
Has one thing in common, too
It's a, it's a, it's a, it's a sin
Everything I've ever done
Everything I ever do
Every place I've ever been
Everywhere I'm going to
It's a sin
The Pet Shop Boys may not have made it as big as Wham and Madonna would, but they had an impact. And all these years later, they remain a personal favourite from that era.
They made us think even as they made us dance and sing along with them. That is what Shehzad Roy has achieved the same in the Urdu slang idiom with ‘Laga Reh’, ‘Qismat Apnay Haat Mein’ and ‘Khul Kay Pyar’. And that is historical for Pakistani pop.
The corporate question mark
Apart from breaking new ground in terms of giving Pakistani pop socially relevant anthems, the
other thing that sets Shehzad Roy's Qismat Apne Haat Mein apart is the fact that it is the only album to come out this year without a corporate sponsorship. This is shocking considering that he is tried and tested and in a day and age that even Zeb and Haniya with their eclectic blend of jazz, blues and Urdu find a corporate sponsor, the fact that Shehzad Roy didn't makes one circumspect about the role of corporations in our music scene.
Our pop industry has become heavily dependent on corporate giants to fund the music scene. In the absence of ticketed events, corporations organize concerts. In the absence of record labels they started sponsoring artists and they carry on doing so to this day, be it in terms of videos or albums. The problem with corporations is that they play it safe, whereas art is all about taking risks. Will getting that corporate sponsor keep musicians from coming out with social commentary and politically loaded songs? Will corporations discourage our artists from pushing the envelope?
Shehzad couldn't find a sponsor for his album. He told Instep no corporation was willing to touch it with a barge pole. He went to Fire Records and Geo and they agreed to do it, which is probably why, the ‘Laga Reh’ video is subtly branded with the organization's emblems. It is important though that there is an alternative to the corporate giants of the consumer good world. Media organizations are willing to push the envelope in
Here's hoping that the refreshing direction of Qismat Apnay Haat Mein sets the winds of change blowing in Pakistani pop just as the Pet Shop Boys boys did with British pop in the 80s. There is no reason why pop shouldn't start ideas churning in your head even as its beat sets your feet tapping. In fact, it is a winning combination and ‘Laga Reh's success proves that
SOURCE: The News - Instep

| Born into a family with a centuries-long tradition of qawwali singing, Khan began recording in the early ‘70s after ignoring his father’s wishes that he pursue medicine. Nusrat Fateh Ali Khan and was considered as one of the greatest Qawwals in the world. Khan was a master of qawwali singing, which combines lyrics from Sufi religious poems with hypnotic rhythms and vocal chants. He never performed in English he sang in Urdu, Punjabi and Farsi Khan also captivated many Westerners, including such musicians as Vedder, Joan Osborne and the late Jeff Buckley, as well as Hollywood types like Sean Penn, Susan Sarandon and Tim Robbins. Khan had made a great impression on the music scene with his mix of Eastern poetic music with that of the West. After travelling to London for treatment for liver and kidney problems, Khan was rushed from the airport to Cromwell Hospital, where he suffered a fatal heart attack. Khan departed from this sphere on the 16th of August 1997, and will be missed immensely by his fans all across the globe. |





Ahmed Jahanzeb is yet another pop singer from across the border wanting to make an impression in India. AJ, as he is often called, is different though. Armed with a very distinct style, soft and captivating, the singer-composer, whether he is performing live or crooning from the cool confines of a studio, leaves a mark with a voice that stands out in times when melody has become a rarity.
The latest example of this is the sound track of the recent Pakistani film released in India, Khuda Ke Liye. Jahanzeb not only crooned some of the numbers for it, he also gave music to the critically-acclaimed film. AJ gives credit to his training in classical music for this. “I am lucky to have classical music ingrained in my system from an early age. Can you speak any language well without having proper knowledge of its grammar? To understand the commas, pauses and full-stops of music you have to have classical training,” he maintains. That it reflects in his work shows in the impressive list of his hits — Ek Baar Kaho Tum Meri Ho, Aap Ki Yaad Aati Rahi, Mujhe Pyaar Chaahiye, Tu Jo Nahi, Sheeshay Ke Mahal and Kaho Ek Din, which happens to be his personal favourite.
For AJ, also called the Wonder Boy in his home country Pakistan because he first appeared in a TV show at five and cut his first album at nine, sound grooming has been the essence of his musical journey.
“It helped me a lot because it made me a confident artiste. A lot of singers begin their journey with fanfare but fail to reach their destination. I always wanted to reach out to my audience,” he quips.
AJ’s early initiation meant that he matured fast, developed a style that enchanted the youngsters in Pakistan, and importantly, drove the fear of public appearance from his mind. “I never had mike fear or stage fright. I take pride in my grooming and I must say I am lucky to have met the right people in my formative years as a singer.” No wonder the 30-year-old from Karachi admits to be in love with the reality shows.
In India recently to launch his album by Tips Laut Aao, AJ hoped his effort would be well received. “It is a team effort. I have worked very hard. I thank all my colleagues for giving me this opportunity. Sameer has written some great numbers and Sachin Gupta’s compositions are soul-stirring. I’ve given my best and I hope the audience likes it,” says AJ, who describes remixes as essentially a result that comes when your creativity is “nil.”


LAHORE: Actor Firdaus Jamal has turned into a singer by completing his first music album, ready to be released. He has written the lyrics for the album himself while the album includes Pashto tracks.
The composition of the music album had been prepared by Bobby Wazir.

Music lifts our spirits and has always been an integral part of our celebrations on Independence Day. From “Jeevay Pakistan” to “Dil, Dil Pakistan”, when we hear those tunes, our hearts fill with patriotic pride and nostalgia. Music has the ability to tug at our heart strings and so it is no surprise that our musicians are adulated the way they are. We take a look at four stars who are not only savvy at making music but also at making the most out of music…
Shehzad Roy
Shehzad Roy debuted on the Pakistani music scene in 1995 and what a debut it was! The young singer garnered an instant fan following with the teenyboppers and soon his songs were to be heard everywhere. Shahzad continues to be an innovative musician, writing lyrics that are fun but relevant to the times we live in. This is why his album, Buri Baat Hai, released in 2005, still sounds fresh with its tongue-in-cheek songs and entertaining videos, and his latest album, Qismat Apnay Haat Mein is flying off the shelves after an unusual launch at the Juvenile Jail in Karachi and a controversial video of the song ‘Laga Reh’.
In a sense, Shahzad can be credited with initiating the first high-profile international exchanges. He has sung with Sukhbir and Shan as well as having worked with Bryan Adams. In fact, Shahzad is responsible for bringing Bryan to Pakistan as part of a charity concert a few years ago.
But more than music, it is Shahzad's dedication to his NGO, the Zindagi Trust, which is commendable. The trust now has 25 schools across the country and it uses an innovative method to entice children, who would otherwise be on the street, to attend school - the children receive a small monetary amount for each day of attendance. Shahzad was awarded the Tamgha-i-Imtiaz in 2004, for his efforts to help the underprivileged children of Pakistan and the Sitara-e-Eisaar in recognition of his trust's work in the earthquake affected areas.
With his boyish good looks, his witty songs and his worthy cause, Shahzad Roy truly embodies the spirit of young and independent Pakistan, striving to make a difference.
Atif Aslam
It is, by now, a well-known story of how Atif Aslam became a singer - while singing for some friends at the college canteen, he was persuaded to participate in a singing competition on Independence Day celebrations. He performed, won and blew everyone away by the sheer magnitude of his voice.
In 2004, Atif released his first album Jal Pari, which became a hit thanks to the much-disputed yet highly-acclaimed hits, Aadat, Woh Lamhey, and Dil Harey. Then followed Doorie, a very filmi album by the standards of Atif Aslam fans, which still managed to produce 3, if not 4, super hit songs. Atif’s latest album, Hungaami Halat was released early this year and although it has done well, it has not produced hits anywhere near the cult status achieved by Aadat, Doorie and the like from previous albums.
Atif has lent his voice to many songs for Bollywood films and this has increased his international fan-following by multitudes. This year, Atif received the Tamgha-e-Imtiaz for his services in the field of music.
Ali Zafar
Aptly titled the Prince of Pop, Ali is perhaps the most versatile young artiste around. Musician, actor, painter and model, it is no surprise that he won the Youth Icon Award at the Lux Style Awards in 2007. His 2003 debut, Huqa Pani, won him an award for Best Album at the 2004 LSAs.
Ali's voice has often been compared to that of the legendary Kishore Kumar's and that suave voice may be the secret behind his tremendous success... that, and the fact that he is extremely good-looking - he was rated as one of the 10 sexiest men in Asia by British magazine, Eastern Eye! Ali proved just how good a musician he was recently in a live performance - he held his own against trained classical singers as well as musicians belonging to other genres.
Although it has been almost two years since his last album, Masty, was released, Ali remains in the media eye thanks to his many endorsements.
Hadiqa Kiyani
Undoubtedly, the best female pop singer in the country, Hadiqa started her career as a VJ for one of the first music chart shows in the fledgling entertainment industry. After her debut with Raaz in 1995, Hadiqa went on to release many more albums - most of them going multi-platinum.
Always willing to experiment, whether it was with her music or her looks, Hadiqa continued to evolve and change with each album. A fresh look with each new video kept her in the news. Her long coats paired with trousers became her signature in the 90s.
Hadiqa is one of the few artistes who has not only collaborated with many other local musicians but has also performed internationally at concerts featuring international stars such as Lionel Richie, Wet Wet Wet, Lisa Stansfield and the Brand New Heavies.
In 2006, Hadiqa was awarded the Tamgha-e-Imtiaz for her services in the field of music. While Hadiqa has not been very musically active this year, her collaboration with various artistes in the widely aired track “Yeh Hum Naheen” keeps her on our TV screens.
Celebrities are like twinkling stars when looked at the sky. But there is a difference. Some stars are very prominent and can be seen every night. Others glimmer here and there.
sharing was communicable among the people present. There was also a slapstick performance by the favourites of youth - Azfar and Mani. But the show stealer, however, was the video, screened within the environs. ‘Laga Rae’ was the video which had everyone, either tapping their foot or rhythmically moving their heads to the thumping analogue beat.We have started an organization by the name of YBDA i.e.Young Blood Donors Association.....
Our aim is to create an awareness about blood donation.
We say that
"Donate your blood to save lives and make a difference!!!".
Even the educated do not know of their moral obligation to donate blood and are much less aware of the fact that donating blood helps rejuvenate the body’s blood production mechanism,which has many hidden benefits.
Unfortunately, there is a serious lack of volunteers to donate blood and 30 percent of professional blood donors are HBV,HCV or HIV positive.Unscreened or improperly screened blood is the main factor involved in person-to-person transmission of lethal viruses.Volunteer blood is safe,helps improve donor lives and gives time to blood banks to keep an inventory of blood,plasma and platelets, which allows hundreds of bags of blood to be made available for use in emergencies.
Blood is very important in many medical situations such as serious accidents, organ transplants,major surgery and supporting patients with blood-related disease like haemophilia and thalassaemia.
Most hospitals and medical centres are always having a shortage of blood due to a lack of donors which often results in delayed surgeries and treatment, which can lead to complications and even death in patients.
Just as you would want aid from other in times of emergency, it is important that we help to save the lives of others as well.
Our Organizations' 1st Blood Donation Drive will be held on Tuesday,26th of August 2008 at Jinnah Post Graduate Medical Centre Blood Bank...Timings:10am onwards....
Your donations will be stored & given to the patients during the holy month of Ramadan..!!!
We kindly request you all to come and donate your blood to save lives and make a difference because you people reallllly can!!!!!
Thanks
Faizan Javed

From the Pakistani land of Sufi singers, we have yet another talented singer knocking at the doors of Indian film industry. With his album Laut Aao, Ahmed Jehanzeb is making his entry into the Indian music world. Dreaming of creating better music, this young singer is all set to kiss success through his seer hard work and dedication. Sabir Rahman has shared some melodious moment with this talented singer and composer.
Q. What is special about your new album Laut Aao?
A. You will get the different shades of vocals, music and everything according to the taste of today’s trend. Many singers in Bollywood bear the influence of the legends in their voice. But I have a different tonal quality and it does not match with anyone. The album is also blessed with powerful lyrics. It is melodious and soothing to the ears.
Q. Is it a romantic album?
A. Yes, I would call it a romantic album.
Q. While working on the album, which audience did you have in your mind, Indian or Pakistani?
A. I only had Indian audience in my mind because Pakistani audience have not reached that state now and have gone towards more serious kind of things. The style of music across the border is very different from that of Bollywood.
Q. How did music happen to you?
A. During my time music was not given so much encouragement but my father was always fond of music. Ever since I was born I had all the music instruments in front of me. I was always attracted towards music and wanted to learn and play all the instruments. I loved the harmonium and one day my Abba asked me if I liked harmonium or not and when I said yes, he gifted me a keyboard on my fourth birthday. He made me rehearse with him and he never forced me to learn music. I started my journey at the age of four and at nine I released my first album named Ahmed Jehanzeb – The Wonder Boy.
Q. What kind of songs did the album have?
A. It contained national based songs (Kaumi songs). These kinds of songs were more in trend; individual singing was not in trend at that time. My Abba made me familiar with the stage from the very tender age of mine, so that I don’t get nervous or hesitate in facing audience while performing.
Q. At what age did you start your journey of stage shows?
A. I started my journey at the age of eleven or twelve. I used to experiment singing different kinds of songs then.
Q. What kind of songs did you sing?
A. I used to sing ghazals as well as the hit songs of that time like “Papa Kehte Hai…” and all other Bollywood hit numbers.
Q. When did you release your second album?
A. My second album got released in 2001 with the name Parastish, which came after a gap of 15 years from my first album. In the meantime I was doing stage shows all over the world.
Q. What kind of songs did it contain?
A. It had compilation of solid classical numbers. It was a big hit and gave me a lot of fame.
Q. How did coming to India happen?
A. There was a song of mine in my second album Parastish which became famous through internet. Then one day Sanjay Dutt called me when he had organized a Tsunami relief fund show and he wanted me to participate there. Two singers came at that time from Pakistan, one was Strings and the other was me and the other celebs for the show were film stars from Pakistan like Meera, Md. Rana and all. During this time I met Rajiv Sivani who was vice president of Tips.
Q. Do you feel that you are lucky?
A. I feel that I am lucky because Khuda gave me opportunities and I met right people at the right time. It is my good luck that I met someone like Rajiv who gave me a chance. I got all the facilities from the company while recording with them. They provide me very good directors, lyrics, crew members etc.
Q. You have given music in Khuda Ke Liye, any other films after that?
A. I had composed five songs for Khuda Ke Liye and I have sung those songs, too. This film changed the whole scenario of Pakistani film and no other film is being made yet to match that one. And if we talk about music it has to be something which will be cherished and enjoyed by all for a long time.
Q. Any film offers in India?
A. Who would not like to work in Bollywood movies but as of now I want to concentrate in composing good music only.

Revival of the National Anthem
Leading musicians come together to breathe life and colour into our 'Qaumi Tarana'
Saba Sartaj K, Karachi
Pakistan's national anthem - our 'Qaumi Tarana' has been a part of our lives since it was first aired on the radio in 1954. We've sung it in school as children, been inspired by it through our youth and sought strength from it during times of turmoil. It is an awe-inspiring and respect evoking anthem, but has also become a tad bit impersonal and intimidating for the youth of the country, especially in the turbulent times we live in.
Geo Television has now taken the initiative to redefine the spirit behind the National Anthem with a fresher and more personal melody. An anthem that will appeal to the youth and the whole nation. Something that is catchy and light yet retaining the essence of the original anthem whose verses were composed by the renowned poet of Pakistan, Abul Asar Hafeez Jullundhri, while the tune was composed by Ahmed G. Chagla, the well known musician and composer.
Notable composer Mujahid Hussain has arranged the new and vibrant version of the anthem. He has tried to keep the melody light and more musical, as composed to the previous melody, which was more daunting. The reason behind this revival is to give our national anthem a sound which is more musical and has a more 'sing along' quality to it, so it moves out of just National and school assemblies and into our daily lives.
The musical instruments, melody, and composition in this new version of the anthem, while staying true to the original version, take new meaning and evoke new emotions - that of love, belonging and togetherness. Getting together 40 of the most eminent musicians and singers in Pakistan, from all the provinces and schools of music has given a new meaning to the anthem and the nationalist feelings it evokes.
The feelings of unity and tantalizing energy were very tangible when one went to see the recording of this magnum opus project. With representatives from every province in the country to representatives of almost every gharana of music in Pakistan, the exciting mix of artists and the fact that the house of pop, rock, classical music and ghazals were coming together to make a new version of the national anthem was just electrifying.
"Its great. I'm honored and this is our contribution to Pakistani people," said Immu of Fuzon. "We can only give a little and this is it. The anthem is very relevant. We listen to the anthem very less nowadays so if you do listen to it you remember the feelings of patriotism. The anthem is in Farsi so it sounds even more beautiful - especially if you understand the words," he added.
While at the shooting of the anthem, one realized how much hard work, dedication and planning has gone into composing, singing, recording and shooting the anthem and putting this novel and brilliant idea, which was the brain child of Imran Aslam, the President of Geo Television, Badar Ikram, Head of Geo Entertainment and Ayub Khawar the producer of the show. While there were 40 singers in all who came together to record this anthem in Lahore and Karachi, not all, unfortunately, could make it to the shooting of the video, which included important names like Tina Sani, Rahat Fateh Ali Khan and Shafqat Salamat Ali Khan, who lent their distinguished vocals to the anthem but could not be a part of the video.
It was interesting to see how all these artists, from different backgrounds, walks of life and sensibilities came together on one platform to perform. Everyone was in high spirits and it felt like one big joyous occasion. All the ladies, looking pretty in white were seen sitting together around a number of fans to keep their make-up and hair looking fresh, exchanging make-up tips and discussing clothes. The young artists were seen respectfully embracing their seniors and made it a point to rush to them first and pay their respects. Shafqat Amanat Ali rushed in and before he could have a word with anyone, went dashing in to touch the feet of his uncle Ustad Hamid Ali Khan. It was wonderful seeing all the great artists of the country come together for such a good cause and seeing them all so enthusiastic and cheerful just made one feel privileged and proud at being a Pakistani.
"It feels really good to be a part of this," Shafqat said, "its such a prestigious project and when I was told of the concept of reviving the anthem, I wanted to be a part of it. If it is successful and if people like it, all our names will go down in history. This is history being made right here!" he said. To which his uncle Ustaad Hamid Ali Khan added, "Yeh aik bari achi baat hai, qaum ko jazba dilanay kay liay hay. We should thank God for our house. Our country is our home. We are born here and we will die here so we need to give something back to it," he concluded.
We have such immense talent in the country, many larger then life personalities and such a beautiful and diverse culture. Putting all of that and the old and the young under one roof and weaving magic is what this project has achieved. It is a fusion of folk, pop, rock and eastern classical for a noble and national cause.
"It is the revival of the National Anthem," said Ayub Khawar, the producer of the new anthem. "Even today when the anthem is played on television or cinemas you can't understand the vocals or the video. We wanted to give it a fresh new look and sound which is understandable as well as make it a little mellow and soothing so people can enjoy it, hum it and sing it and not just associate it with official events and occasions," he added.
This new anthem is like a face-lift for the previous one, which due to poor sound and picture quality is hardly distinguishable. It is a harmonious rendering of the three-stanza composition with a tune based on eastern classical and pop music, where the beat of the tabla fuses with the subtle and soothing strumming of the sitar and the various other western and classical instruments.
"I loved the idea when I heard it. The situation in the country is so tense right now and it will work perfectly to boost the morale of the nation. Iss say hum sub may jazba jagay ga" said Shahida Mini, one of the most popular singers in the country. "I am proud to have been born in Pakistan. A lot of sacrifices had to be made for us to get this homeland and we all need to come together and work hard for it. Katray katray say darya banta hai. We all need to contribute. This is just a small little contribution my fellow musicians and I are making and it's a wonderful idea."
The studio where the anthem was being recorded was buzzing as all the artists came together - but as is custom, very fashionably late. But then, its better to show up late then to not show up at all, which was feared of Fakhir when he hadn't showed up even past 8pm, whereas the artists were requested to come in by 12 pm! This is definitely one of the major drawbacks in our entertainment industry today, where anything starting at the stated time is but a distant and almost unobtainable dream. Ali Azmat and Jawad Ahmed came in a close second to Fakhir when they came waltzing in at 7 pm. Khawar Jawed, one must add, was one of the first to arrive, that too with his newly wedded bride in tow, and sat very patiently and sweetly throughout the wait that his other respected colleagues put him through. Ustad Hamid Ali Khan was also another singer who takes punctuality very seriously and was there waiting for his juniors to make an appearance for many an hour. Not once did one hear him complain or throw a diva like tantrum which would have been the case had it been any of the reletively newer bunch such as Ali Azmat or Fakhir, who are tremendously talented but equally challenged when it comes to matters of punctuality.
Despite all the waiting in the unpleasant heat of Karachi, the whole experience was definitely worth the while. The grandeur of the project and various leading musicians coming together in a single collaborative effort to revive the national anthem is heart warming, and the timing couldn't be more perfect. The national anthem is tremendously significant for every nation and one wonders why this step wasn't taken earlier. A childrens' version of the anthem as well as an instrumental version of the anthem, with a majestic orchestra are also in the works which will be released subsequently after the release of this video.
With the present tense situation in the country and waning morale of the nation, the release of this beautifully orchestrated national anthem is a wise and timely move and is sure to strike a chord and evoke to feelings of Jazba and Junoon in everyone.
Watch this new, revived version of the National Anthem on August 10 on all Geo Network channels, and kick start your Independence Day celebrations by singing along to 'Pak Sar Zameen Shaad Baad…!'

Pakistani singer Ali Zafar talks to Masala! about music and film offers from Bollywood


ENTHRALLING the city of Chennai, Strings, the duo from across the LOC set the stage on fire at the showdown to the IIPM culturals. The first concert after the launch of their latest album, 'Koi Aanay Wala Hai', Bilal Maqsood(guitar) and Faisal Kapadia (vocals) believed that Chennai is a great place to do some live gigging. Expresso caught up with them.Bilal Maqsood
| He is known for his firebrand image. Singer Abhijeet Bhattacharya is also known for the strong emotional bond that he forms with the contestants he judges on talent hunt shows. But, it was this emotional streak that landed him in a controversy, when recently, he objected to bringing back a non-Indian contestant Musarrat through a wild card entry instead of an Indian. And predictably so, he paid a heavy price for calling a spade a spade. But not anymore, he says in a no-holds-barred tête-à -tête... Have you sorted out the differences over Pakistani singer Musarrat? Let me put it this way, why should I become a reformer when no one minds being short changed by what is happening in the industry today. I am not the kind of judge who’d accept Rs 10,000-Rs 20,000 and sit on talent hunt shows that’re being dictated by shoddy scripts written to push up the TRPs. I gave up Rs 70 lakhs to fight for our Indian contestants who are far more talented than the whole world put together. But I will not fight anymore. If contestants’ parents are not bothered about their children’s future, which is being robbed by non-Indians, who am I to stop them? You really feel our kids’ future is being robbed by participants from abroad? Hundred per cent. Just watch when the auditions happen, where kids stand in long lines for days hoping to get selected. But participants from Pakistan are put on a flight and given direct entry into these shows, why? Kya khasiyat hai inme? Hindustan ke galli-galli mein Nusrat Fateh Ali Khan mil jayega, but unki koi kadar nahin. Par ek Pakistan se aa gaya toh humne usse sar pe utha liya. You don’t think there is any talent in Pakistan? Aatif Aslam, Rahat Fateh Ali Khan and hundred others are nothing compared to our singers like Javed Ali, Soham, Bulli, Raja Hassan, but no one wants to give them a chance. They say I am biased if I reprimand Musarrat – because he’s a Pakistani, but they don’t mind if I shout at Raja Hassan because he is an Indian. What sort of hypocrisy is this? You have been very vocal over the choice of Musarrat? I have always said that our children should be given first preference. But desh ki maryada ko dao pe lagana aaj kal fashion ho gaya hai. I don’t know why do we have such a complex when it comes to shoving Pakistan back to where it belongs – the other side of the border? But not everyone agrees with your stand? Yes, I have been fighting alone for seven-eight years in this industry. But it’s a shame that as Indians we have such a low regard for our nationality when it comes to protecting our kids’ welfare. So now, I too have decided not to make a hue and cry about it. What upsets you the most about the music industry today? No other country will allow foreigners to work and earn so freely as we allow them here. They come here, earn crores, build assets, but does our government bother to check if they pay tax? Why are the Advanis, Karats, Mulayams and Kalams, all quiet over this? If I want to make a living in the US or the UK I need a working permit, while in Pakistan we are not even allowed to enter the country. Then why are we so large-hearted in the glamour and entertainment industry? |

No strings attached
They croon soulful vocals, strum the guitar effortlessly and can give John Abraham a run for his money. Every girl’s dream we would think. But apparently, every guy’s too.
Bilal Maqsood and Faisal Kapadia of Strings need no introduction. The internationally acclaimed Pakistani band burst onto the Indian music scene in the year 2000 with their hit single Sar Kiye Yeh Pahaar and have been creating history ever since. It’s been an incredible journey for the talented duo who is riding high on the success of their brand new album Koi Aanay Wala Hai, which has been released after a span of four years.
Says Faisal Kapadia, lead vocalist, “Our latest album is a reinvention of sorts. Bilal and I wanted a sound that was fresh and different from whatever we have done in the past. As artistes, we have matured tremendously over the past four years and Koi Aanay Wala Hai is a product of that.”
Bilal is quick to add that while there has been a change of sound and they have dabbled with a few more genres, the essence of Strings still remains the same. And what is that, we ask? Pat comes the reply. “Soulful, simple and sensuous music, that is straight from the heart,” says Bilal Maqsood, lead guitarist.
He also says that unlike their previous albums, which caught on to the listeners immediately, this album is one that will grow on you.
Classifying themselves in the genre of pop-rock, the twosome say that they do not derive any inspiration from contemporary music. “While today’s musicians are exceptionally talented, we don’t particularly draw inspiration from anyone. We play for the love of music, we play for ourselves. If we are not satisfied with how a particular number sounds, chances are, the world won’t hear it either,” says Bilal passionately. While the two don’t look upon contemporary music for inspiration, they are hugely inspired by Bilal’s father, Anwar Maqsood, who penned the lyrics for their initial songs.
Chennai’s vibrant rock scene has not gone unnoticed by the duo, who came to the city last in the year 2006 for a concert. Quiz them about the music scene in Chennai and they grin widely. “We are very impressed by what Chennai has to offer for its music lovers. It’s great to see young talent being encouraged and given a platform to perform. Chennaiites seem to know their music well and the rock scene, especially among the college crowd seems to be bustling. There is just so much energy and it is infectious,” says Faisal.
In a country where Bollywood dhin-chak is the first and last word on music, how do these boys fit in? “We don’t want to fit in; we simply want to experiment and Bollywood is just another genre for us. It maybe good money and a lot of Pakistani singers are taking to Bollywood in a big way, but pop music is our mainstay. We look to connect with our fans through that and with an exception of maybe Zinda and Shootout at Lokhandwala we haven’t dabbled too much with Bollywood music. It would be a nice challenge though,” say the duo.
The band also has an international track to its credit. They were chosen to compose the original soundtrack for Spider-Man 2, an incredible honour for the duo. “We didn’t know this opportunity was coming our way. It just fell into our lap; we didn’t take a conscious effort to promote ourselves, but were elated when it happened.”
What’s up next? Apart from enjoying the success of their recent album and collaborating with bands like Parikrama, the rockers are busy with some UNICEF related work and are looking to compose music for films as well.
There has been no looking back for the Pakistani boys; who have left an indelible mark on Indian soil as well. With oodles of talent, and personalities to match, all we can say is...rock on!
Link: http://timesofindia.indiatimes.com/I...ow/3321764.cms



Ali Zafar also known as Prince of Pop, is a Pakistani musician, actor, painter and model probably most noted around South Asia for his music, including his hit songs like Channo, Rangeen, Chal Dil Merey, Dekha, Masty and Sajania. He started his singing career with his hit song Jugnuon se bhar le aanchal in the film Shararat directed by Pakistani actress and director Samina Peerzada.
Zafar recently won the ''Youth Icon'' award from the Lux Style Awards 2007, in Malaysia.
He has also been listed in ''8 MOST HANDSOME AND SEXY MEN OF ASIA'' by a Britsh magazine named Eastern Eye.









We wish Arooj the very best in her career and hope that she can be an inspiration for many others!
How would you introduce yourself to our readers?
I was born in Saudi Arabia and spent a few years of my childhood there. My family then moved to Lahore and I completed my O Levels from the Convent of Jesus and Mary. From there, I completed my A Levels from Lahore Grammar School (DHA). Before starting college I took a year off and applied for a scholarship program at Berklee's online extension school (www.berkleemusic.com). This is where I won the Steve Vai Scholarship and thus spent the year studying with Berklee Music online. I am now 20 years old, and living in Boston. I am pursuing an undergraduate degree in Professional Music based on Core Music Theory, Music Education and Music Production/Engineering.
You are the first female musician from Pakistan to pursue formal education in music - how did this all come about and what did it take to be where you are today?
I was a student of finance up until I applied for college. I had known about Berklee College of Music since I was 14 years old through searching the internet for music schools because I was curious about music education and professional degrees in music. When applying to college, I felt detached from my future career choice. I'd been pursuing accounting so far, but it felt off beam to be investing so much time and money into something that brought me no happiness. Cliched as it might sound now, I decided to be true to my heart, and mustered the confidence to talk to my parents about Berklee College as a possibility. It took months of persuasion and reasoning on my part before I could have them understand just how important music was to me and what exactly my goals were.
I got the Steve Vai Grant scholarship for Berklee Music Online, their online external school. I am currently doing my undergraduate degree on the BEST (Berklee Entering Student Test) Scholarship, and am required to finance the rest.
Arooj performing with her friends at Berklee

How would you describe the study of music to a person who doesn't know what it means to study music?
People seem to think that formal music education restricts creativity, and is unnecessary. But, like any other education, music education builds structure and discipline in musicianship. Core Music Theory is universal and applies to all kinds of music. During my first semester I was enrolled in a course called ''Perfection Skills for the Background Vocalist.'' My first reaction was thinking that I had scored low on my vocal skills auditions and so they gave me a background vocals class. But I realized later that in order to be an excellent vocalist, you need to be able to understand and respect every aspect of a vocalist's role. Similarly, in arranging class, we compose and notate cello pieces, drum patterns and bass lines. The interpretation and understanding of different instruments and how they come together musically is priceless knowledge for a musician. Ear training builds the ability to hear notes, progressions and scales in music. It makes composing easier and faster. These elements and more come together to create an inclusive, well- rounded musician. Berklee is giving me the education, experience, overall musicianship and confidence that I will need to pursue my plans for music education in Pakistan.
What are your personal academic goals what are you aiming to get out of this undergrad in music?
To me, music has never been about recording albums and making videos. It holds the incredible power to motivate people and influence their thoughts. My primary goal is to bring formal music education to Pakistan. Along the way, I have plans to help bring about positive social change for women in Pakistan. We have let go too many years now without respect for women as professionals and especially professional musicians. Our basic human and social values seem to be crumbling as 'codes' of conduct continue to dictate what is proper and what is wrong. We have some learning and some unlearning to do, and I believe that music and musical motivation is an excellent medium to begin this change.
How did the guitar become your chosen instrument? What is special about it from your perspective?
There are a lot of instruments that I love besides the guitar. I have begun playing drums and piano. Here at music school we consider voice to be an instrument too. The guitar is one of the most used instruments in music. I guess I was more inclined to pick it up because I heard it in all the music I used to listen to at that time. The music that made me get up and actually go buy my first guitar was a piece from the soundtrack of City of Angels.
How many songs have you composed and what can you tell us about them?
Songs come and go really. I am extremely particular about lyrics and am not satisfied with any of my texts yet. It is an endless process of writing and rewriting. One of my songs is called Celebration of Life which focuses on optimism and the appreciation of things around us. With all the cynicism and negativity in this 'world gone mad', I feel positive energy needs to be touched upon and created where absent. Then there is 'Walking-' a song I wrote in grade 9. It won me the berklee scholarship. I re-recorded it at Meekal's studio with Gumby on drums and bass and it was fun to see how it turned out eventually. It's a mellow acoustic/alternative song. All of these can be listened to at www.aroojaftab.com
The album will probably take a few years. I'm learning so much at Berklee and I want to incorporate all of it into my music, so I feel waiting is crucial for me right now.
Have you done any shows and what kind of response did you get from the audience?
I did a show or two in school, and also performed live for City FM89's birthday transmission. Performances make me nervous and I don't want to do any until I know that I'm perfectly ready. In Pakistan, performance defines a musician. At music school I've learnt that some people are cut out for it and some just aren't. Regardless of their playability. These are the small differences that I detect in how we view music under such tight scrutiny in Pakistan and how that too needs to change.
How do people in Pakistan regard your decision to study music as opposed to the typical fields like science or management?
I think that since Pakistan is a developing country it does make sense that education is currently centered around fields like engineering, medical science and management. Being a woman studying music has been difficult for me because people are not willing to do away with their stereotypes of 'proper' and 'improper.' The true value of Music has been misrepresented and never been properly defined in Pakistan. I feel that once my goals are realized, Insha Allah, we will be able to graduate into a more accepting and understanding environment for music in Pakistan.
How would you characterize the facilities available to young musicians like yourself for recording and promoting your music in Pakistan?
The good thing is that the music industry is small, and the country is pretty small too so any appreciable talent is noticed and taken beneath the spotlight immediately. Recording studios are not efficient at all, though. The people running them are not professional recording technicians or even close to experts.
Arooj performing at Berklee

What are your future plans and where do you see yourself in say five years' time as a musician? Do you see these plans transpiring in the US or back in Pakistan?
In five years inshAllah my degree should be completed. My album too should be concluded. Ideas regarding the music school should be transferring on to solid blueprints and I should be losing a lot of sleep trying to accomplish the vision of formal music education in my country!
Pakistan’s first violin school opens today
By Ali Usman
LAHORE: Where words fail, music speaks, and without music, life is just like a journey through a desert. It’s easy to play any musical instrument, as all one has to do is touch the right key at the right time and the instrument will play itself. However, as violin is considered one of the toughest instruments to play in Pakistan, not many people are interested in learning to play it.
Although basic courses on the instrument are taught at various institutes, both private and government ones, there is not a single exclusive violin school in Pakistan. With an aim to boost the art of violin playing, a violin school is set to open in a shopping mall on Gulberg’s Main Boulevard today (Saturday).
This violin school will be first of its kind in Pakistan, claims Ghulam Ali, the pioneer of the school. Ali, a National College of Arts (NCA) graduate who had done his thesis on violin playing, has been playing violin for years, and now has come up with an idea to pass on the art to the younger generation.
Talking to Daily Times, Ali said that he had been abroad and had observed that the westerners loved playing violin. “Even the elderly people there keenly learn playing the instrument,” he said. He said that he wanted to revive the art of playing violin in Pakistan, and would do his best for it. “I have dedicated my life to music and violin is my passion. I will impart all what I have to my students,” he said.
Three courses have initially been designed for students, which include a three-month basic course, a six-month short course and a one-year diploma. Eight students, including four girls, have got registered at the school.
Zafar Mehmood, one of the registered students, said that he was quite happy that someone had taken up the task to teach violin, his favourite instrument. He said that he was a graphic designer by profession, and had tried a lot to learn violin in the past, but had to burry his desire, as there was no specific institute for it.
Another student said that had been learning violin at Alhamra Arts Council, but only basics were being taught there. “I am happy because now I will be able to learn playing the instrument properly,” he said.
Besides violin classes, other traditional music instruments like flute and guitar will also be taught at the institute. Ali said that students would be taught with notations and practical performances. He said that he had kept the courses fee affordable to everyone to give a chance to more and more students to learn music. The formal inaugural ceremony of the school will be presided over by the Culture Minister Dr Tanveerul Islam.
Source: www.dailytimes.com.pk

Turbulent politics, unprecedented inflation and security concerns have led to cancellation and postponement of a number of showbiz and cultural events. Deemed, as Pakistan’s ‘Oscars’ LUX Style Awards the biggest style and fashion-based event is the latest one to be cancelled.
Telenor’s Masty Express concert featuring pop star Ali Zafar and local artistes was scheduled to be held on Thursday (yesterday) at Alhamra Cultural Complex but was postponed due to security concerns. The local authorities had reportedly advised the organisers to postpone it due to security conditions in the city.
The LUX Style Awards for excellence in cinema, TV, music and fashion being held since 2002 every year aim at honouring outstanding contribution with around 30 awards. The awards have been held at different venues including Dubai. Last year’s awards ceremony was held in Malaysia. There were reports earlier this year that the event would this year be held in Bangkok. It was announced later in briefing at Karachi that the event would be held in Lahore - the country’s cultural capital - this summer.
A Unilever spokesperson said that it was not appropriate to go ahead with the awards this year as millions of Pakistanis were confronted with unprecedented inflation and the country was facing tough economic and security conditions. “The LUX Style Awards are for us a way to contribute to the society in which we operate. Despite the set back of not being able to go ahead with the annual ceremony in the manner that has come to be expected of the LUX Style Awards, we have every intention of honouring the nominees and going ahead with the LSA scholarship scheme that we started this year,” the spokesperson explained.
The LUX Style Awards had announced a scholarship scheme this year to give annual scholarships to students of the National College of Arts (TV and Film Department), National Academy of Performing Arts (Music department) and to the two fashion schools - Pakistan School of Fashion Design in Lahore and Asian Institute of Fashion Design in Karachi.
This year there would be no awards ceremony. The award winners shall be announced and honoured in a modest manner. This year director Shoaib Mansoor’s ‘Khuda Kay Liyae’ scooped up all the film awards nominations. Albums from Jal, Ali Azmat, Atif Aslam, Abrar ul Haq and Rozen were all nominated in the Best Music Album category. Uns Mufti’s Broken Boundaries for Coven, Bilal Lashari’s Dhamaal for Overload, Ahsan Rahim’s Sajania by Ali Zafar, Bilal Lashari’s Sajni for Jal and Soheb Akhtar’s Ujaloan Mein for Mizraab were the top five nominations in the Best Music Video category.
A new category was introduced for the Awards this year and the best single of the year nominees were ‘Aisi Taisi’ by Azal, ‘Bandeya’ by Khawar/Faiza from ‘Khuda Kay Liyae’, ‘Laree Chootee’ by Call, ‘Roya Re’ by Shiraz Uppal and ‘Sajni’ by Jal. The fourth music category of Best Live Act was dominated by Josh, Mauj, Meekal Hassan Band, Overload and Strings.
