Shehzad Roy's album Qismat Apne Haat Mein is even better
Shehzad Roy outdoes himself with his new effort and breaks new conceptual ground in Pakistani pop
By Muniba Kamal
The video grabbed the attention of the nation as soon as it hit the airwaves. And within a week of its release, 'Laga Reh' was playing and replaying at an ad nauseum rate, except we never got nauseated… it remains a song that speaks for all of us.
After countless viewings, I still find myself laughing at it. The bunglings of the government in the newspaper makes the giggles gurgle up twofold. At a time when things are being painted as badly as they are in the press, the cat and mouse game between the political parties and the ex-General with both playing Tom and Jerry alternately, our PM's visits abroad and the hysteria they generated here at home, American transgression on our soil, various Rehman Malik fiascos, lawyers on a rampage, the perpetual breaking news situations on all or news channels that are bordering on the ridiculous now because the crises have gone on so damn long that they seem to have become a bad joke.
In the 'Laga Reh' video, Shehzad Roy takes this bad joke and turns it into a great video, internalizing the experience so we all identify with it.
“Main jab dus saal ka tha tou mein ne nine o'clock news pe suna ke
“Mujhe fikar yeh nahin key eh mulk kaise chale ga, mujhe firk yeh hai ke aisay he na chalta rahe.” (I'm not worried about how this country will run, I am only worried that it will carry on running like this)
The song incorporates hilarious dialogue between Shezad and a buzurg (elderly gentleman):
Shehzad: “Mulk mein kitni tension ho gayi hai” (Look at the tension in the country)
Buzurg: “Kuch nahin kuch nahin, sab Allah par chhor do” (It's nothing, just leave it to God)
Shehzad: “Kuch na kar kuch na kar too sab kuch allah par chhod do… Allah hi tera hafiz hai” (Don't do anything at all, leave it all to God and then only God will be your saviour)
It's edgy stuff and incredibly relevant. This is the way previous generations have thought; indeed, the lines Shehzad Roy has penned are something said to us by some buzurg at some point in time or another. A whole new generation that has grown up with that attitude does want to go out there and change the status quo. It is this generation that
And the video ends with perhaps one of the most classic lines one has ever heard.
A punter to a politician: “Sir, lagta hai qaum ko jaganay ka waqt aa
Politician: Qaum ko mat jagao, yeh kisi zaroori kaam se so rahe hain! (Don't wake up the nation, they're sleeping because of some important work)
‘Laga Reh’ is indeed the funniest take on life in
‘Laga Reh’ is probably director Ahsan Rahim's finest video and it looks very much like a collaborative affort. Ahsan and Shehzad go back a long way. As do Ahsan, Faisal Qureshi and Mani having worked on Ulta Seedha together. With perhaps the most cinematic eye in the industry, Ahsan outdoes all his previous work with the video and the way the visuals sync with the song makes one think they were conceived together. The song and the video speak of major brainstorming and some very creative minds working together. That Shehzad Roy has built bridges between all these talents is commendable. It shows a man capable of recognizing talent in the industry and bringing them all together to create a video that truly exploded into our consciousness.
And the biggest surprise is that when you give the album a listen, you realize that 'Laga Reh' is not even the best song on it!
Qismat Apne Haat Mein
‘Laga Reh’ is the second best song, but it employs a clever technique that Shehzad uses to devastating affect in the title track of his album, which is characters speaking out and leading in to his music. The best song by far is 'Qismat Apne Haat Mein' itself.
It begins with the extremely affected accent of a
Shehzad Roy: Cough Cough…
Shehzad Roy: I'm allergic to bullshit.
And then the guitar riffs start and leads into a rollicking number laden with clever innuendos.
Zulm na kar too
Chand logon ne qaum ki lay lee hai (meaningful pause)
Qismat apnay haath mein.
(Do be cruel or we will leave these streets. A few people have taken the fortune of
Unfortunately the clever innuendo that makes one laugh out loud gets totally lost in the English translation.
‘Qismat Apne Haat Mein’ is a gem of a number, calling on the youth to wake up and smell the coffee and realize what is happening around them. That said, the album is not ground breaking musically, which is one criticism seasoned musicians have set forth. But one must say to them that the album breaks new ground in terms of the thought that has gone into it. It shows a singer chronicling what is happening in this day and age through song, oodles of angst and a biting wit. The music is simple, all catchy rhythm and very awami, which is the way Shehzad has always done it; however, songs like 'Laga Reh' and 'Qismat Apne Haat Mein' stand out for their audacity. And audacity is exactly what the Pakistani pop music has been missing for a very long time, ever since Junoon's 'Ehtesaab' was banned... and 'Ehtesaab' was nowhere close to the anthems Shehzad Roy has come out with.
Songs for the young
There is the excellent 'Khul Ke Pyaar Hum Nahin Kar Sakte' (We cannot love freely) which goes on: Khul Ke Jhoom Bhi Nahi Hum Sakte
Saara saara din in hi sochon mein gum
Kya ho plan raat ka jis mein ho jaein gum
(We cannot dance openly either
All day we are lost in the thought
Of cooking up an evening plan in which to get lost)
And then Shehzad Roy introduces the father by singing “Raat hotay hi eik paigham aata hai” (And when it's night a message arrives)
Father: Beta, barah baj gaye hain, ghar wapas aa jao (Son, it's 12 o'clock, come home NOW!)
This is the story of so many Pakistani teenaged lives and this is precisely the stuff pop anthems are made of. And these anthems would not have happened had Shehzad not decided to write them himself. The lyrical simplicity is what grabs you. Shehzad has taken his own dilemmas growing up, drawing room conversations, prevailing social attitudes and spun songs around them in a way no one has before, with the possible exception of Abrar, who does the same brilliantly in Punjabi. However, his songs are more social commentary. Shehzad Roy's album has both the social and political edge
There is also touch of idealism with the excellent 'Quaid e Azam', the most unlikely tribute to the father of the nation. It begins with a child doubting his future because he's been naughty and his grandmother has scolded him saying he will amount to nothing. And it is this child that Shehzad sings to.
Quaid e Azam jab chhote the, woh bhi nani se shrasrat karte hon ge
Lekin kehte honge: “Mein ek din kuch banoon ga, nanoon ji aap bhi yaad karein ge”
(When the Quaid was a little boy, he probably played pranks on his grandma too. But he must have said: “I will be something one day, someone so big Grandma that you will remember me.”)
It's a song that forces us to think back to childhood, and ponder on what Jinnah's would have been. And when you look at the song in context of the man that really was (if you read Stanley Wolpert's Jinnah) and compare it to what he has been twisted into by our own skewed perspective of history, Shehzad's imaginings on his childhood make one say “Good on you Shehzad!”
The other numbers
The other lovely number is 'Zindagi' that was released as a video last year with Abida Parveen. Abida's voice and the guitar make more a memorable song. And then there are the ballads out of which 'Aankhein' remains the most effective because of the edge. “Sapna mera aankhon se kuch aise gira, saath hi mujh ko bhi le gira”. That it follows the angsty 'Laga Reh' on the album makes the song even more poignant.
'Ek Baar', 'Janay Kahan' and 'Darwaza' are sweet enough melodically, but they aren't a patch on Atif's 'Pehli Nazar' which to date is remains the catchiest pop ballad of the year. Neither do they have the musical sophistication of Strings' 'Koi Aanay Wala Hai' and 'Humsafar'. Shehzad seems to have found his niche on this album, which is edgy pop and that is something that hasn't been done before. With Qismat Apnay Haat Mein, Shehzad Roy has moved on from being a pop poster boy to pop renegade and that is a gigantic leap.
The new Shehzad Roy
Minus the ineffective ballads, Qismat Apnay Haat Mein is nothing short of a pop revolution. We have seen the bubblegum disco beats Nazia and Zoheb, and the patriotism and introspection of the Vital Signs. There has been Hadiqa with her heavily Punjabi influenced pop that made her a star and one has seen the joyful tongue-in-cheek verve of Ali Zafar’s Huqa Paani and the meteoric rise of Atif Aslam who came out with the rather banal Meri Kahani this year. Shehzad himself was first the 'Teri Soorat' boy and then (a tad more impressively) the 'Saali' guy… but let's face it, while 'Saali' may have caused some strong reactions and was a catchy enough song, it was innocuous and silly. 'Laga Reh' has become a rebel yell for our times and if Shahzad's next video is 'Qismat Apnay Haath Mein', then he will solidify that reputation and go down a pop hero.
It's about time
And for those of us, growing up as teenagers in
At school they taught me how to be
So pure in thought and word and deed
They didn't quite succeed
For everything I long to do
No matter when or where or who
Has one thing in common, too
It's a, it's a, it's a, it's a sin
Everything I've ever done
Everything I ever do
Every place I've ever been
Everywhere I'm going to
It's a sin
The Pet Shop Boys may not have made it as big as Wham and Madonna would, but they had an impact. And all these years later, they remain a personal favourite from that era.
They made us think even as they made us dance and sing along with them. That is what Shehzad Roy has achieved the same in the Urdu slang idiom with ‘Laga Reh’, ‘Qismat Apnay Haat Mein’ and ‘Khul Kay Pyar’. And that is historical for Pakistani pop.
The corporate question mark
Apart from breaking new ground in terms of giving Pakistani pop socially relevant anthems, the
other thing that sets Shehzad Roy's Qismat Apne Haat Mein apart is the fact that it is the only album to come out this year without a corporate sponsorship. This is shocking considering that he is tried and tested and in a day and age that even Zeb and Haniya with their eclectic blend of jazz, blues and Urdu find a corporate sponsor, the fact that Shehzad Roy didn't makes one circumspect about the role of corporations in our music scene.
Our pop industry has become heavily dependent on corporate giants to fund the music scene. In the absence of ticketed events, corporations organize concerts. In the absence of record labels they started sponsoring artists and they carry on doing so to this day, be it in terms of videos or albums. The problem with corporations is that they play it safe, whereas art is all about taking risks. Will getting that corporate sponsor keep musicians from coming out with social commentary and politically loaded songs? Will corporations discourage our artists from pushing the envelope?
Shehzad couldn't find a sponsor for his album. He told Instep no corporation was willing to touch it with a barge pole. He went to Fire Records and Geo and they agreed to do it, which is probably why, the ‘Laga Reh’ video is subtly branded with the organization's emblems. It is important though that there is an alternative to the corporate giants of the consumer good world. Media organizations are willing to push the envelope in
Here's hoping that the refreshing direction of Qismat Apnay Haat Mein sets the winds of change blowing in Pakistani pop just as the Pet Shop Boys boys did with British pop in the 80s. There is no reason why pop shouldn't start ideas churning in your head even as its beat sets your feet tapping. In fact, it is a winning combination and ‘Laga Reh's success proves that
SOURCE: The News - Instep
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